I’ve been meaning to write this post ever since I passed my DPhil viva (oral examination, for those of you not familiar with academic lingo) three and a bit weeks ago.  But maybe it’s okay that it’s taken me ages to get round to it. Since I became a Proper Academic* (*there are provisos here) I’ve been in a real kick-my-shoes-off-and-do-nothing mood.  It’s a very unfamiliar feeling.  For four and a half years now, I’ve felt driven to be at that desk every day from 8am (sometimes earlier), and had to be physically dragged away from it – usually after 6pm – by family members, concerned I should eat, drink, mingle with normal human beings, remember what daylight looked like etc.

I’m exaggerating, but not much.  A writer friend of mine (who after all, knows all about obsession) calls my study “my burrow” (it is, essentially, underground – and as I’ve probably mentioned before, I work in the dark).  Several times during my PhD (I use these terms interchangeably because few people outside academia are familiar with ‘DPhil’) she tempted me out of my burrow with the offer of lunch at my favourite restaurant, only, she said, because she was worried I would otherwise start growing hair on my paws.

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8 Comments, Written on June 10th, 2011 , academic

I’ve just returned from an extraordinary week at Cove Park in Scotland.  Extraordinary in so many ways – not least for me the strangeness of living alone (instead of with six people I am partially or wholly responsible for).  Food preparation for one -what joy! Washing up for one – takes 2 minutes!  It is hard to express the bliss contained in such simple things for those already alone or with limited ‘duties’.

The tranquility on the Cove Park site, and in my accommodation, was extraordinary.  I spent long hours gazing at Loch Long and the mountains on the other side.   And many other hours reading or dozing, with the sliding doors ajar, gently immersed in the sound of birdsong.  I thought I might write there, start the new project (whatever it is), but once I was there I realised all I needed to do, between the workshops, was rest.

Ah yes, the workshops. Because this was no writing retreat. This was a twice-a-day voice coaching retreat with Kristin Linklater. Read the rest of this entry »

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It has been fascinating logging the reactions of people to my Sceptre book deal, announced in the Bookseller last week.  The vast majority of friends, acquaintances and ex-students have been almost as joyful and excited about it as I have, and many see it as a victory for poets and poetry, or reassuring proof that persistence and hard work can pay off in a big way; that creativity does not have to mean penury.  To everyone who has offered their heartfelt congratulations; thank you.  To everyone who finds the whole thing bothersome in some way, I apologise for triggering you – but please, unless you’re a personal friend of mine, don’t feel you need to share your concerns with me.  They’re your concerns; take them for a walk round the park, chew them over with like-minded friends, blog them or tweet them if you must (but don’t send me the link). This is the time I have dreamt of since I was nine years old, and I mean to enjoy it thoroughly.

I spent Saturday night in the company of novelists, for the first time being officially one of

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2 Comments, Written on March 28th, 2011 , learning experiences

If I went a little quiet for a while there, forgive me.  My agent was submitting The Marlowe Papers and I didn’t feel it was anything I should be chatting about.   As you may or may not know, we emerged with a very handsome deal from Sceptre.  I’ll be in exalted company.  Sceptre publish lots of very fine writers you’ll have heard of.

The Marlowe Papers is a little different from the other novels on their list, however, because it’s a novel in verse. Not free verse either, but blank verse: 72,000 words (at the moment, anyway) of iambic pentameter i.e.

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.

As if this wasn’t crazy-fool enough (as ideas go) I was also pretending to be the acknowledged greatest writer of all time.  The idea behind The Marlowe Papers is that Christopher Marlowe didn’t die at Deptford in 1593, but rather faked his death and wrote the works of Shakespeare (yes, that old chestnut)… and that The Marlowe Papers is his verse memoir. The ultimate Marlowe fiction in prose had already been written (A Dead Man In Deptford by Anthony Burgess) so I thought I’d better take different tack.  Several times in the writing of it I wondered what on earth I was doing (and why I had committed to do such an insanely difficult thing) but the truth is, I like a challenge.

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Leave A Comment, Written on March 18th, 2011 , The Marlowe Papers Tags:

Generally,  I don’t post recently written poems on this website, since publishing them myself makes then ineligible for any other outlet looking for unpublished poems: poetry is what I do for a living, so I figure I shouldn’t be giving too much of it away for free.

However, a few months ago I was contacted by Veerle Swenters of the Shoes or No Shoes Project in Belgium asking for a poetic contribution, and this week, I finally got round to writing it.  Since Veerle intends to publish it on the Shoes or No Shoes website, I have no qualms about publishing it here also.

Shoes or No Shoes is an extraordinary purpose built shoe museum in West Flanders (and an architectural marvel in itself). They house 1200 pairs of shoes donated by contemporary artists, 2700 pairs of shoes from around the world, and goodness knows how many pairs of designer shoes too. They also collect cartoons and texts about shoes.

When I told my husband about their request he said these were the boots I should write about.   They have been repeatedly re-soled and re-heeled and now have structural damage beyond any cobbler’s skill, but still I can’t quite bring myself to throw them out.  Indeed, I still occasionally give in to the temptation to wear them. He was hoping they would want me to ship the boots off to Belgium with the poem, because that seemed the only way I was ever going to part with them. But the museum  has limited room for any further shoes, and frankly doesn’t need a skanky pair of boots from yours truly; they just wanted the poem.   So the purple holey things are still with me, and now commemorated to boot.   Sorry. Here is the poem. Read the rest of this entry »

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Leave A Comment, Written on February 4th, 2011 , poem Tags: ,

TEDxBrighton on Friday was a rare delight. I have been a fan of the videos at TED.com for about three years now and it was a joy to have a little flavour of TED in my beloved home town. It was remarkably well put together, professional, and well-catered. It was delightful that it was a free event, and that so much had been achieved through the efforts of the volunteers, and the generosity of sponsors.

Here are the main things I came away with:

  • free banana
  • 2 Twix bars
  • spare tuna mayonnaise sandwich
  • pencil drawing of a naked woman

Okay, I’m being flippant (though these are the physical things).  This is what I learned from my day at TEDxBrighton:

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3 Comments, Written on January 24th, 2011 , learning experiences

After six months of stalling, I have finally gone public with the short interview I did on my PhD research. It was posted today on Carlo Dinota’s Marlowe Shakespeare Connection, and is now publicly listed on YouTube. I find the YouTube thing a little scary. I’ve seen YouTube comments. A lot of those people are very angry, and many of them can’t spell.

I’m not unaware of the emotive power of this issue, and how very upset some people get at the very thought one could seriously entertain the idea that our friend from Stratford didn’t write the plays attributed to him. I have taken four years to consider my approach to this, and several months to sit on this short video largely on the basis that that on the day in question I didn’t have professional hair or make-up. But since just before Christmas, I’ve had the video quietly embedded in my Research page to see if anything bad happened. Seems the sky didn’t fall in. So I have succumbed to private persuasion and released it into the wild.

I might as well; bigger things are on their way. In the next couple of months I will be the first of four Sussex postgraduates this year who will be filmed presenting their research as part of a University pilot scheme. The 20-30 minute film will, I’m told, be hosted on the University of Sussex website. It’s a complicated business, involving multiple cameras and all kinds of gadgetry. I’m currently re-designing my Globe presentation on Keynote (borrowing a Macbook on campus) and will need two days’ rehearsal before filming starts. Exciting, though. Looks like a lot of good things are kicking off in 2011. This time around, I’m definitely going to put a little more effort into the hair and make-up.

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1 Comment, Written on January 13th, 2011 , Shakespeare authorship question

Pascale Petit, a painter and sculptor before she turned poet, has long felt connection with Mexican artist Frida Kahlo. Though What the Water Gave Me makes no claim to be a comprehensive verse biography of Kahlo, it succinctly maps the short distance between pain and painting.  Like the paintings, these poems give the sense they insisted themselves into existence.  Giving Kahlo a voice beyond the canvas, they trace an artistic soul from its conception: ‘sheathed in pearl/as I learn,/even before birth,/to doodle in the dark.’   Only half born, Kahlo observes with ‘baby painter’s eyes’:

Look at how
I wear my mother’s body
like a regional dress -
its collar gripping my neck.
For now, her legs are my arms,
her sex is my necklace.

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1 Comment, Written on December 15th, 2010 , Reviews Tags: , , ,

I can hear you now. Come on, you say. The benefits of appendicitis is one thing, but really, surely there are no benefits to having your (several) websites simultaneously hacked and all the files deleted?  I mean how irritatingly positive can you get?  (I’m sure my kids would provide you with an answer, but luckily they take no interest in what I do – what child does – and are unlikely to come pitching in with comments.)

I admit the experience was less than fun, at the time. But here I am, with everything restored from back up and deeply grateful that it wasn’t worse.  After all, the hacker got to the websites, it seems, through a weakness in Windows XP, with a trojan activating XP’s Remote Assistance feature, meaning he (and yes, you can be sure it was a man, God bless them all) had control of my desktop.  So frankly, he could have done a lot more damage.

So like all less than desirable events, I’m looking at it as a learning experience. And what did I learn?

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4 Comments, Written on December 9th, 2010 , learning experiences

SAT conference 2010 flyerI’ve presented several somewhat unorthodox Marlowe-related papers at academic conferences over the last three years, but yesterday was my first appearance at the conference of the Shakespearean Authorship Trust.  Though I’m an old hand at presenting my work in public, and thoroughly enjoy the opportunity of doing so (whether reading poetry or giving a talk), it was a strangely nerve-wracking event.    The last time I felt so jittery in the run-up to speaking in public was at the Barbican ten years ago.  In the delivery, I don’t suppose my nerves were obvious to anyone except myself, and the handful of people who spent the tea-break in the lecture hall, and watched me enter and leave three times to rearrange the laptop and notes on the lectern.  Once I began, and the first joke got a laugh, it was easy to ride on the energy of an audience who were hoping to be entertained and engaged.

When I called home afterwards to report that I got plenty of laughs, my husband was worried.  Like many, he assumes that such a gathering must be deeply earnest and everyone who presents imbued with a sense of their own rightness and everyone else’s wrongness.    Well, one or two were.   But generally there was an air of

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