Getting it Wrong

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One of the reasons I took solace in writing from an early age is because I experienced myself as a social incompetent.  Starting with my family of origin, and largely due to the mess of the situation I found myself growing up in, I found people generally difficult: I was always getting it wrong, saying the wrong thing, provoking unwanted reactions.   I had things I wanted to say, but opening my mouth and saying them proved, on the whole, to be a terrible mistake, so I would go away to a quiet corner and write them down. And then rewrite them. Again, and again, until I got it right and had found a form of expression that could not be argued with. Like a poem. Or a story.

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New Blood and Flooding

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As a friend of mine posted on Facebook recently, ‘summer this year was on a Tuesday’.  The creative Yorkshire enclave of Hebden Bridge has experienced a particularly British summer this year, and the week before we arrived for the New Blood (New Novelists) event at Hebden Bridge Arts festival had suffered serious flooding.  One result of this was that Sophie Coulombeau and I, who met for the first time for a cup tea before the cafe closed (forcing us to shelter from the light drizzle in the White Swan) failed to eat before eating ceased to be an option.  In the Swan we bumped into Peter Salmon, who recognised us as fellow New Novelists from the fact that our we all simultaneously received a text from the organiser.  He had wisely (as it turned out, though we weren’t sure at the time) opted for the pub’s fish pie.

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