In the Company of Novelists

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It has been fascinating logging the reactions of people to my Sceptre book deal, announced in the Bookseller last week.  The vast majority of friends, acquaintances and ex-students have been almost as joyful and excited about it as I have, and many see it as a victory for poets and poetry, or reassuring proof that persistence and hard work can pay off in a big way; that creativity does not have to mean penury.  To everyone who has offered their heartfelt congratulations; thank you.  To everyone who finds the whole thing bothersome in some way, I apologise for triggering you – but please, unless you’re a personal friend of mine, don’t feel you need to share your concerns with me.  They’re your concerns; take them for a walk round the park, chew them over with like-minded friends, blog them or tweet them if you must (but don’t send me the link). This is the time I have dreamt of since I was nine years old, and I mean to enjoy it thoroughly.

I spent Saturday night in the company of novelists, for the first time being officially one of

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No Money In Poetry?

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If I went a little quiet for a while there, forgive me.  My agent was submitting The Marlowe Papers and I didn’t feel it was anything I should be chatting about.   As you may or may not know, we emerged with a very handsome deal from Sceptre.  I’ll be in exalted company.  Sceptre publish lots of very fine writers you’ll have heard of.

The Marlowe Papers is a little different from the other novels on their list, however, because it’s a novel in verse. Not free verse either, but blank verse: 72,000 words (at the moment, anyway) of iambic pentameter i.e.

Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate.

As if this wasn’t crazy-fool enough (as ideas go) I was also pretending to be the acknowledged greatest writer of all time.  The idea behind The Marlowe Papers is that Christopher Marlowe didn’t die at Deptford in 1593, but rather faked his death and wrote the works of Shakespeare (yes, that old chestnut)… and that The Marlowe Papers is his verse memoir. The ultimate Marlowe fiction in prose had already been written (A Dead Man In Deptford by Anthony Burgess) so I thought I’d better take different tack.  Several times in the writing of it I wondered what on earth I was doing (and why I had committed to do such an insanely difficult thing) but the truth is, I like a challenge.

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Sonnets Workshop for the Kent & Sussex Poetry Society

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I’m delighted to be running a workshop on writing sonnets for members of the Kent & Sussex Poetry Society.  We’ll be breaking down a selection of sonnets (traditional through to experimental) to see what makes them tick, and then writing our own.  Sonnets are pretty much my favourite form so I’m very happy to spend a day delighting in the reading and writing of them.  Anyone interested in attending will first need to join the Kent and Sussex poetry society.